Supplementi (15/2023): Ovidius Pictus: Afterlives of the Metamorphoses in Europe, from Books to the Arts

• Table of contents

  pp. 5-7

  https://doi.org/10.13138/2039-2362/3452

  • PDF (English)

Introduzione

• Conspectu legar populi: An Introduction to the Iconic Life of the Metamorphoses in Europe and Beyond

  Francesca Casamassima, Fátima Díez Platas, Giuseppe Capriotti

  pp. 9-30

  https://doi.org/10.13138/2039-2362/3503

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Section 1. Transformative Ovid: Metamorphoses in Medieval Manuscripts

• The mythological image in the illuminated manuscript of the Metamorphoses from the Marciana Library (Venice. Marciana Library, Lat. Z. 449a)

  Brianda Otero Moreira

  pp. 33-67

  https://doi.org/10.13138/2039-2362/3298

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• Search of sources of Bersuire's Ovidius moralizatus after two illuminated passages

  Pablo Piqueras Yagüe

  pp. 69-104

  https://doi.org/10.13138/2039-2362/3271

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• A non-Ovidian myth in the Ovidius Moralizatus: the double parthenogenesis of Pallas and Vulcan according to Petrus Berchorius

  Elena Moscara

  pp. 105-130

  https://doi.org/10.13138/2039-2362/3395

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• The representation of Bacchic festivities in the Middle Ages: The illuminated manuscripts of the Ovide moralisé and the Ovidius moralizatus

  Patricia Meilán Jácome

  pp. 131-160

  https://doi.org/10.13138/2039-2362/3293

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Section 2. Ovidian Materiality: Movable Metamorphoses

• The iconography of the abduction of Proserpina in the main Italian versions of Ovid’s Metamorphoses printed in the 16th century

  Ilaria Ottria

  pp. 163-191

  https://doi.org/10.13138/2039-2362/3227

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• What’s Love Got to Do with It? Ovid, the “Love of the Gods,” and Cinquecento Carved Cassoni

  Bar Leshem

  pp. 193-224

  https://doi.org/10.13138/2039-2362/3278

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• Weaving Myths: Ovid’s Metamorphoses and the Labours of Hercules Tapestries in the Renaissance

  Anne-Sophie Laruelle

  pp. 225-247

  https://doi.org/10.13138/2039-2362/3250

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• Ovidian Secrets: An Unknown 17th-Century Cabinet in Santiago de Cuba and the Illustration of the Metamorphoses

  Fatima Diez Platas

  pp. 249-270

  https://doi.org/10.13138/2039-2362/3504

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• Narcissus and Echo in Liguria. The embodiment of Ovid’s Metamorphoses in Villa Durazzo Faraggiana di Albissola Marina

  Rieke Dobslaw

  pp. 271-290

  https://doi.org/10.13138/2039-2362/3272

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Section 3. European Ovid: Metamorphoses between Centre and Periphery

• Identification and Transgressive Gazing: Paola Gonzaga’s Fontanellato Frescoes

  Caroline Koncz

  pp. 293-326

  https://doi.org/10.13138/2039-2362/3289

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• Ovidius painted and printed. The influence of Metamorphoses illustrations on two friezes in Marca di Ancona

  Francesca Casamassima

  pp. 327-352

  https://doi.org/10.13138/2039-2362/3307

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• Prometheus in the Palazzo del Principe

  Laura Stagno

  pp. 353-376

  https://doi.org/10.13138/2039-2362/3409

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• Ovid’s Metamorphoses in 17th- and 18th-Century Bohemia and Moravia

  Radka Nokkala Miltova

  pp. 377-411

  https://doi.org/10.13138/2039-2362/3264

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• Expansion and theatricality: Ovid frescoes in the Ráday Mansion, Pécel

  Gyöngyvér Horváth

  pp. 413-452

  https://doi.org/10.13138/2039-2362/3346

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• “Ovidius inter Sarmatas”. On the origins of Ovid’s popularity in Polish culture and art

  Barbara Hryszko

  pp. 453-478

  https://doi.org/10.13138/2039-2362/3424

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• Ovid’s Legacy on Trial. Aristocratic Gender Roles in the Painted Vaults of Two Noble 18th-century Palaces in Macerata

  Giuseppe Capriotti

  pp. 479-509

  https://doi.org/10.13138/2039-2362/3498

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Section 4. Ovidian Polysemy: The Meaningful Search

• Polysemic Hercules: Gustave Moreau & Ovid’s Metamorphoses

  Erin Daly

  pp. 513-536

  https://doi.org/10.13138/2039-2362/3277

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• Hybris and Sacrificium. Aby Warburg and Ovid’s Metamorphoses in Imagery

  Claudia Cieri Via

  pp. 537-552

  https://doi.org/10.13138/2039-2362/3499

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• Ecological Myth: Ovid and the Anthropocene in three examples of contemporary Danish art

  Jonathan Barnes

  pp. 553-575

  https://doi.org/10.13138/2039-2362/3295

  • PDF (English)