Supplementi (15/2023): Ovidius Pictus: Afterlives of the Metamorphoses in Europe, from Books to the Arts

Sommario

Table of contents
 
PDF (English)
pp. 5-7

Introduzione

Conspectu legar populi: An Introduction to the Iconic Life of the Metamorphoses in Europe and Beyond
Francesca Casamassima, Fátima Díez Platas, Giuseppe Capriotti
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pp. 9-30

Section 1. Transformative Ovid: Metamorphoses in Medieval Manuscripts

The mythological image in the illuminated manuscript of the Metamorphoses from the Marciana Library (Venice. Marciana Library, Lat. Z. 449a)
Brianda Otero Moreira
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pp. 33-67
Search of sources of Bersuire's Ovidius moralizatus after two illuminated passages
Pablo Piqueras Yagüe
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pp. 69-104
A non-Ovidian myth in the Ovidius Moralizatus: the double parthenogenesis of Pallas and Vulcan according to Petrus Berchorius
Elena Moscara
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pp. 105-130
The representation of Bacchic festivities in the Middle Ages: The illuminated manuscripts of the Ovide moralisé and the Ovidius moralizatus
Patricia Meilán Jácome
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pp. 131-160

Section 2. Ovidian Materiality: Movable Metamorphoses

The iconography of the abduction of Proserpina in the main Italian versions of Ovid’s Metamorphoses printed in the 16th century
Ilaria Ottria
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pp. 163-191
What’s Love Got to Do with It? Ovid, the “Love of the Gods,” and Cinquecento Carved Cassoni
Bar Leshem
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pp. 193-224
Weaving Myths: Ovid’s Metamorphoses and the Labours of Hercules Tapestries in the Renaissance
Anne-Sophie Laruelle
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pp. 225-247
Ovidian Secrets: An Unknown 17th-Century Cabinet in Santiago de Cuba and the Illustration of the Metamorphoses
Fatima Diez Platas
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pp. 249-270
Narcissus and Echo in Liguria. The embodiment of Ovid’s Metamorphoses in Villa Durazzo Faraggiana di Albissola Marina
Rieke Dobslaw
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pp. 271-290

Section 3. European Ovid: Metamorphoses between Centre and Periphery

Identification and Transgressive Gazing: Paola Gonzaga’s Fontanellato Frescoes
Caroline Koncz
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pp. 293-326
Ovidius painted and printed. The influence of Metamorphoses illustrations on two friezes in Marca di Ancona
Francesca Casamassima
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pp. 327-352
Prometheus in the Palazzo del Principe
Laura Stagno
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pp. 353-376
Ovid’s Metamorphoses in 17th- and 18th-Century Bohemia and Moravia
Radka Nokkala Miltova
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pp. 377-411
Expansion and theatricality: Ovid frescoes in the Ráday Mansion, Pécel
Gyöngyvér Horváth
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pp. 413-452
“Ovidius inter Sarmatas”. On the origins of Ovid’s popularity in Polish culture and art
Barbara Hryszko
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pp. 453-478
Ovid’s Legacy on Trial. Aristocratic Gender Roles in the Painted Vaults of Two Noble 18th-century Palaces in Macerata
Giuseppe Capriotti
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pp. 479-509

Section 4. Ovidian Polysemy: The Meaningful Search

Polysemic Hercules: Gustave Moreau & Ovid’s Metamorphoses
Erin Daly
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pp. 513-536
Hybris and Sacrificium. Aby Warburg and Ovid’s Metamorphoses in Imagery
Claudia Cieri Via
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pp. 537-552
Ecological Myth: Ovid and the Anthropocene in three examples of contemporary Danish art
Jonathan Barnes
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pp. 553-575