Supplementi (6/2017): Changing the Enemy, Visualizing the Other. Contacts between Muslims and Christians in the Early Modern Mediterranean Art

• Table of content

  5-6

  https://doi.org/10.13138/2039-2362/1723

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Introduzione

• Changing the Enemy, Visualizing the Other: the State of Art in Italian and Spanish Art Historiography

  Giuseppe Capriotti, Borja Franco

  7-23

  https://doi.org/10.13138/2039-2362/1724

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Saggi

• De Aphrodisio expugnato: The Siege of Mahdia in the Habsburg Imaginary

  Cristelle Baskins

  25-48

  https://doi.org/10.13138/2039-2362/1691

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• Under the same Mantle: The Women of the “Other” through Images of Moriscas

  María Elena Díez Jorge

  49-86

  https://doi.org/10.13138/2039-2362/1710

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• Images of Islam in the Ephemeral Art of the Spanish Habsburgs: An Initial Approach

  Borja Franco

  87-116

  https://doi.org/10.13138/2039-2362/1693

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• Distinctive features attributed to an infidel. The political propaganda, religious enemies and the iconography of visual narratives in the Renaissance Venice

  Ivana Capeta Rakic

  117-143

  https://doi.org/10.13138/2039-2362/1695

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• Triumphing over the Enemy. References to the Turks as Part of Andrea, Giannettino and Giovanni Andrea Doria’s Artistic Patronage and Public Image

  Laura Stagno

  145-188

  https://doi.org/10.13138/2039-2362/1709

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• Becoming paradigm: the image of the Turks in the construction of Pius V’s sanctity

  Giuseppe Capriotti

  189-221

  https://doi.org/10.13138/2039-2362/1712

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• Vanquished Moors and Turkish prisoners. The images of Islam and the official royal propaganda at the time of John V of Portugal in the early 18th century

  Ivan Rega Castro

  223-242

  https://doi.org/10.13138/2039-2362/1704

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Fascicolo completo

• Complete issue

  1-242

  https://doi.org/10.13138/2039-2362/1725

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